Sony α9 III with global shutter ,ILCE9M3

The next capture era starts now

The α9 III features the world’s first1 full-frame stacked 24.6 MP2 CMOS image sensor with a global shutter system. Unlike a rolling shutter sensor that records images sequentially from the top row of pixels to the bottom, the newly developed Exmor RS™ image sensor exposes and reads all pixels simultaneously so the camera can capture fast-moving subjects with absolutely no distortion. Combined with a maximum shutter speed of 1/80,000 second (1/16,000 second during continuous shooting)3, the α9 III is a game changer for professional photography. (1) Pixel area (2) Hi-speed signal processing circuit (3) Image processing engine

Blackout-free 120 fps continuous shooting

The α9 III is defined by speed and accuracy, enabling it to capture decisive moments with ease. It’s capable of shooting continuous bursts at up to 120fps with full AF/AE tracking3, all without viewfinder blackout, and its highly advanced AI processing unit recognizes subjects with astonishingly high precision and reliability

Preserve split-second moments

At 1/80,000 second4, the maximum shutter speed of the α9 III makes it easy to capture fast-moving subjects in almost any situation. What’s more, a compatible flash unit from Sony (such as the HVL-F60RM2 or HVL-F46RM)5 can synchronize at all shutter speeds, eliminating the steep, nonlinear drop-off in illumination that occurs with high-speed sync (HSS) and ensuring even illumination across the image

Composite RAW Shooting reduces noise

Composite RAW Shooting captures multiple images (4, 8, 16, or 32, selectable) which can then be merged using Sony’s Imaging Edge Desktop™ computer application software to create full-resolution images with very low noise.7 This makes it possible to shoot wildlife at high shutter speeds or portraits in low light, achieving exceptionally high image quality with low noise, even at higher ISO settings. What’s more, when shooting at low sensitivity levels, the α9 III can take advantage of camera shake that occurs during handheld shooting and use Composite RAW to create images with reduced false color and jaggies